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…s on audio quality
| // free audio modes | ||
| opus_custom_mode_destroy ( OpusMode ); | ||
| opus_custom_mode_destroy ( Opus64Mode ); | ||
| } |
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This seems to cause issues from time to time. After closing the client I sometimes get an error with free() complaining about wrong sizes. Needs further investigation. Some help here would be appreciated
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I'd prefer not to check for the Jamulus version number but rather based on capabilities - we don't have 4.0.0 out yet and it might break during the dev process. |
I wanted to reuse information already available as much as possible so I just added the code where there were version checks already implemented. (For sequence number and pan feature) |
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Tested it and yes, the noise would be unacceptable. What is our fallback if max is selected but the server doesn't support it? |
I just noticed that if you connect to a server with Max selected you get the noise unless you switch audio quality again while connected. The server code is fine and doesn't need changes, I misplaced the check for my introduced bRawAudioSupported in the client code. I'll have a closer look |
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I've just tried a build of Using a buffer size of 10.67ms (256) results in each packet containing two frames of audio, each with its own sequence number. In that setting, I was seeing one packet every 10.67ms coming from the Windows client, but still one packet every 5.33ms coming back from the server. They alternated between having zeros in the first frame and zeros in the second frame. So it could possibly be some issue in Note that the client will encode according to the settings in the Client Settings dialog, but the server will encode according to the information in received in the Talking of which, the codec field in the Lines 484 to 492 in 849e823 So when sending props for raw encoding, it should either use |
This build is not taking into account |
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Ah, so the issue is that the client is not sending enough data to satisfy the server, and the server is therefore adding in packets of zeros to maintain the data rate. Fragmentation should not be an issue, at least with IPv4, as fragmentation and re-assembly happens transparently at the IP layer. In fact, I don't think it will occur anyway, as the traffic from the server is not fragmented. We should just get packets from the client at 5.33ms instead of 10.67ms. In fact, I've been doing some tests with Wireshark of all the various data rates, qualities and mono/stereo, and it seems that the packet interval is normally half the buffer time specified in the Client Settings. Except when "Small buffers" is not checked, and then 2.67 (64) is exactly the same as 5.33 (128). |
Yes please - I'm building directly from your |
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I think in I don't have any more time today to try it... |
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| const int iOffset = iB * SYSTEM_FRAME_SIZE_SAMPLES * vecNumAudioChannels[iChanCnt]; | ||
| // Recognise a raw audio packet by its size |
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I think it would be better to recognise the audio frame by a sentinel byte. Protocol frames begin with 00 00 and must have a good checksum. Otherwise they are considered to be audio. Opus frames always begin with 00 for mono and 04 for stereo. So maybe for raw audio, the audio data could be prepended with a byte of f0 for mono and f4 for stereo? Then it could be recognised unambiguously. Both client and server need to recognise the format of a received frame correctly without relying on an out-of-band context.
…ls buffer sizes work with raw audio
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I had misunderstood the packet size calculation and it seems fixed with the last commit. |
I think OPUS and OPUS64 only refer to the setting of small network buffers. It isn't related to the actual opus coding. |
Maybe - I hadn't got around to examining how the value was used in the code. It just felt wrong for the message to state OPUS when it wasn't, and maybe a specific value could also be useful to the server. |
The server isn't aware of the opus quality setting. It is only being sent the packet size and feeds that into the opus codec. There is currently no other way for the server than to determine the codec (or none) by the expected packet sizes for rawaudio. OPUS and OPUS64 refer to 128 or 64 samples internal buffering, no relations to audio quality settings. |
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Just tried the latest build. It's looking good in Wireshark and sounding good too. No fragmentation either, as the max packet size is only 1068 for stereo, max quality, 10.67ms(256). |
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Have you guys also tested with small network buffers? This seems to work as well for me and with a huge improvement on latency as well (as expected). Tested on arm64 ubuntu server side and win11 for the client. |
Yes. I tried all possible combinations except for buffer sizes not a power of two. I know those work with opus audio quality settings on Jamulus. Jack on linux supports samplerates other than powers of two but I don't know about other platforms. Pipewire on linux is fixed to powers of two as well. |
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Is the stream rate in the UI still accurate? |
2004 kbps on maxed out settings. |
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Ok. For me it didn't show any change - but I used an older version. Definitely https://jamulus.io/wiki/Server-Bandwidth must be updated. |
It should show higher rates anyways. Are you sure you were on a server 3.11.1? This is code I haven't touched and it worked automagically from the beginning. The bitrate indicates, if the server supports raw audio. If your settings are "Max" but you are shown the old opus bitrate the client fell back to opus. This is why you can have your settings at "Max" and join legacy servers without noticing, except for the audio quality not being raw. |
I don't think the numbers were correct in the first place. For me at 64 samples I get 906 kbps, not 894 as stated in the docs. |
Add a new "raw" audio quality setting
This PR adds uncompressed audio ("raw") to the quality settings so there is no Opus compression along the way
Discussion in #3654
This feature improves latency as well. I gained 2ms by using uncompressed audio while having a better audio quality.
This is work in progress, please help me test it
Checklist